by Amanda Read | January 15th, 2013
Our languishing culture is made up of individuals, not a collective mass audience. Most of them are blasé, complacent individuals. To simply confront them with holier-than-thou accusations or rah-rah chants is fruitless. Moral outrage doesn’t make sense to them anymore, and misplaced skepticism is profuse. How do you cure a patient who refuses to believe they are ill?
This is an age-old problem with an age-old solution. Do not merely inform them. Show them.
Imagine the thoughts that must have gone through the prophet’s mind as he walked to the residence of the King of Israel. Nathan was approaching David, the legendary musician and warrior who was – as God Himself said – a man after God’s own heart.
But David had just committed adultery with Bathsheba, and after learning she was pregnant by him he deliberately had her husband put on the front line of the fiercest battle so that he would be killed. After Bathsheba mourned her husband’s death, David took her as his wife. David had disgraced himself in front of YAHWEH, but he had grown so full of himself that he hadn’t even realized it.
How did the prophet break the news to the complacent king? With a parable.
Despite its subtlety, the story was powerful enough that David empathized with the story’s protagonist who was done wrong. He was so outraged by its heartless antagonist, in fact, that he said, “As the LORD lives, surely the man who has done this deserves to die” (II Samuel 12:5).
Then Nathan exclaimed, “YOU are the man!”
The realization brought David to his knees. He felt conviction because he had witnessed his own actions analogized in a story he had never heard before – a story from which he was otherwise personally detached. He was thus caught vulnerable, with no witty excuse prepared in order to plead his innocence. David was truly guilty.
The American people need to be told stories about themselves that they haven’t heard before – stories that suddenly reveal that the sort of character we despised is what we ourselves have become.
That’s why Matthew Perdie and I (likely to be joined by my siblings and some friends) are planning a venture into narrative film. He’s doing all the groundwork in New York City while I’m doing the screenwriting out here in Ohatchee, Alabama. I experimented with screenwriting a few years ago, and as I have just three classes left before graduating from college, I look forward to trying my hand at it again. Historical drama and epic are my passion, but modern themes will likely be explored first.
Our goal will be to use narrative film to awaken people’s consciences to seek the truth.